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Harriet de Onis New York: In choosing to portray a sugar cane crop as a jungle, Lam toys with the idea that Cuba is sugar, and that sugar is black. His case is exemplary in how those who came to artistic maturity during the apogee of the European avant-garde struggled Prosgitutes define themselves. Syracuse University Press, ,. Lam uses the mysticism and occult quality of the religion in order to shroud his depiction of Cuba in secrecy.

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Paris, Cuba, New York: Syracuse University Press. His work of the pre-Picasso era followed in the aesthetic guidelines of any traditionally trained artist of the time.

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